Gradually emerging. But still taking. some time to work out what's going on, inside my mind. anyone got any tips?
But seriously, I'm cool. I just need to get it together.
x
But seriously, I'm cool. I just need to get it together.
x
Yeah, now I've had enough, really. Need to reset my mind, and my life.
Right on the kick drum.
And I'm not quite sure why.
It's not been an especially hectic day, not especially frustrating, or miserable. But I feel happy to have reached its end. I did manage to get out on the bike, so at least there's that. And my IJ suddenly started playing this - which has reappeared in my musical life, over the past few months.
It's a wonderfully aimless song - that sense of beautiful drift, of quiet determination (and not so quiet, at the end!). It was a relic of my Xfm day, which is where I first learned to love it. So many memories of my life shifting, in 1999 and 2000. I'm guessing that's why it holds such a special place in my heart - it has an inbuilt narrative, which constantly reminds me of where I was, what I did, what I achieved.
It's time for me to own it, really. Failure is as much a part of my life as success. And the fecund is as much a part of my makeup as those fallow times. It's time that I grab hold of all that bedevils me and cling tightly to the pain and disappointment to learn its lessons.
So many of each. And, i'm not even sure that person who triggered this little wave of thoughts will ever see this. Oddly, I'm also quite sure that it doesn't matter, any more. Though I look back with so much fondness, at our time together, the wave of emotions are things which concern me, things which I need to evaluate. Things which I can, and will, learn from.
I remember fun fairs, paisley shirts, a birthday party which led to it all. Long walks back from the tube station - some of which were more eventful than they should have been. Rainfall on the roof of a tent. Watching the world pass by, on the Picadilly Line out to the suburbs, being unsure what I should do.
I was younger then, but I was also so foolish, so unprepared to deal with what life was delivering to me.
I regret that now.
By doing one of the things that always seems. to help: retreating into the music I loved as a kid. But it's not just about the music per se, it's more than that. What I always look for is music that seemed to surround not just me, but everyone, at that time. The albums which filled the racks of the shops. The albums which - no matter where you went - a mate seemed to have a copy. Ubiquity, crossed with popularity. I loved things which were musically great, but were part of the fabric of life in general. They were bigger than just my own taste. Pink Floyd are a perfect example of this - I mean, yes, the albums are amazing, but they were also this huge, monolithic.....thing. Something which stretched out across everyone I knew.
And that's making me feel happy. It's the end of the 70s again, and I'm sitting in front of a Dansette. This is playing, and all is well in my world, but it's OK everywhere else, as well.
My mental health has been absolutely crushed by the last couple of months. By trying to navigate a minefield of decisions, principles, family situations, personal logistics, band politics - you name it.
Attempting to reach a final position has felt exhausting and, most of all, lonely. I feel like I'm the only person in the world struggling with this.
But - evidently, I'm not.
Well, yes.
My mental health really dropped off the edge of the cliff, there. Kind of explains the lack of updates, doesn't it? (Having said that, the good ship Westway is still looking ridiculously prolific, in terms of 2025 content, so it's fine.)
But it's been a trying time, it really has. chief among the factors - US touring. It's looking like this won't happen this year, because - well, it doesn't take a genius to figure that out, does it? But there are some other, personal factors in the stew of issues, and it's been hard, on the whole band. Many emails, travelling back and forth. I'll try and whack something on the FB page, ASAP.
Anyway, at least I've been able to cycle, A LOT. Honestly, without that, I don't know what I would have done. That sense of escape and freedom has been a constant source of comfort, but also strength for me.
There's always a point, on my rides, where my brain finally ceases to swirl around in the doom loop, and I approach some sort of clarity. Repetition, in the form of pedalling, seems to bring me out of my funk. Plus, other grooves can take over. Normally, it's Motorik beats, which rise and tick along in my mind. A welcome release from the devils which have beset me over the past couple of months.
If you'd like to know what that sudden Motorik pulse of clarity sounds like - well, it's usually something like this.
where my mental health is taking a bit of a downturn.
So, I'm doing what I have to do to get back to me again. Obviously, that includes a lot of riding my bike - but increasingly, it seems to manifest itself in listening to albums I loved when I was 14. I'm not sure why, but I'm guessing it's a comfort blanket.
Today's slice of my youth, then - is taken from the first Riuchard Hell & The Voidoids album. Bought on a school trip to Windsor, in 1979. Sneaked away from my classmates, and somehow, found a record shop. Back then, it was almost a sixth sense: I could look at grids of roads, and predict where I should look. I guess it helped, that in those days, Record Shops were considerably more plentiful than they are now.
But, the album quickly became a part of my life, despite being the least stereotypically "punk" record in my collection. A lot of that is down to the sheer genius of Robert Quine, on guitar. Here was a guy who looked like an accountant. Balding, small glasses. Kind of dorky. The least rock and roll person imaginable. Yet every time he picked up a guitar, punk attitude dripped from every pore, and fantastically emotive screeds of brutal noise burst out, filling my head with their surges of pain, of anger, of beauty.
Quine is unlike any other guitarist I can think of: his is a tone full of pure creativity, and it's never held back by tradition
Namely, a new project. When it comes to bikes, I've always been obsessed with the idea of a build - so, the last TCR was " what would it be like to build the last great rim brake bike, ever?"
And I did it, and it was worth every twist and turn, and every moment spent sourcing parts, and agonising over choices. So, I'm going to do it all over again! This time, though, it'll be significantly cheaper. The MO is - "Can I get a disc brake winter bike, up and running for less than a grand?"
I think I'll actually be significantly under that - perhaps 600 quid. That's not counting all the bits I've already got, which is another of the central themes of this build, namely: do I have enough in the loft, in the shed? I think I do.
The list of parts I've got, already - hanging around upstairs, or in the shed, or lying around the house:
A bit of a failure, if I'm honest. Less of a man.
But, you just have to let out a huge sigh, and carry on, don't you? That's always been the way, for me. But it's tricky to shake that sense of deflation, of pain.
I've been fighting some actual physical issues, over the last three weeks, and I think they've become intertwined with my mental state: I've always suffered from collapsed arches, and my right instep has obviously given up the ghost. It's led to some severe knee pain (I think this is caused by the foot pronation) and that nagging worry in the back of one's mind: have I knackered my knee, like I did a decade ago? that wouldn't be great, to put it lightly.
so, I've been putting a lot of emphasis on trying to improve my posture and my walking. Some orthotic insoles, some barefoot shoes, for use around the house. So far, thankfully, it's working. not, perhaps, a silver bullet - but a definite improvement. Last week, I couldn't kneel down - that's now changed. So - baby steps.
I'm listening to things like this, whils all of the above, stews in my mind. Lee Perry always makes things better. Don't ever forget that, people.
Because I can still get onto a bike, and ride to the top of my local hill, and stop, and get off the bike, and see this view.
This makes everything feel better, for me. It makes me think that life's good, that it's worth living. Because what's out there, is always better than what's inside.
Over
this sweet slice of rockers reggae. Proper Channel 1 vibes, as well. There's something very....balanced about it - sometimes, things like this can veer off into sweetness. Or they can get too militant - just too strident. But this straddles all of those disparate zones, and stays true to all of them.
Plus, as a bonus, the video above plays the single, and the version too. That's as it should be, obviously.
Also - just checking the posts for 2025, I'm on course to have my biggest year of activity, since about 2010, which is nuts, isn't it? Ah, now - if there was only someone reading it.
Of all of the songs on the playlist *points down*, this is perhaps the one which stirs most emotions in me.
It makes me think of a wave of feelings, of passions, of love and physicality. There's something pneumatic about this - but then again, what else would you really expect? This is Prince at his most obvious, his most pleading. But there's tenderness underneath the hormone rush, and that's what's always got me, most of all.
So, that's what's been in my head. And really - that's all! I've seemingly come to this odd place, where my mind has been singularly unable to fixate on much, at all. I'm feeling empty, hollowed out and more than a little useless, If I'm honest. I'm hoping it passes, and passes soon. I'll do my best to ride it out (literally and figuratively), that's my default.
It's a colder, possibly wetter morning tomorrow, but I'm determined to head out to those lanes.
I know it's one of those years that gets passed over, every time. the uncoolest part, of the uncoolest half, of the decade that makes a lot of people shudder. But that year means so much to me. It's a year where I was working, was learning to love life, and to be in love, too. I'd met Emma, and life really didn't get much better. It felt like everything was opening up, to me. Opportunity, chance, possibility. the future was mine, If I could just decide what to do with it, once I grabbed hold. Everything from 1987 is suffused with a glorious surge of optimism and power - a sense that I didn't quite have the answers, but I knew which questions to ask. Viva 87!
and here's a playlist, with what the year meant to me
So, who are they, I hear you ask?
Well, a bunch of young dudes from Perth, Australia, who sound as though they've been here since the Laurel Canyon days of the late 60's. But in reality, they've only been together since 2022.
Clem Burke has left us - which is obviously a tragedy, but it's another small part of my youth gone, too. I do hate getting selfish about losing people, but I can't help it.
Blondie were a large part of my life, at the end of the '70s, and the beginning of the '80s, but I wasn't alone: they were probably the biggest pop presence in everyone's life, behind ABBA, maybe. To me, they'll always be the sound of school discos, the light in the eyes of the girls in my class, as they learned to grow and find role models and idols. They were a force of positivity and hope, but also of dreams and romance. There was a power, but a sadness too. As an example of all of these things, have some of this: still one of all-time favourite Blondie moments.
Well, basically - it's so I can see things like this. This was taken at about 8am, this morning, at the bottom of Wonham Lane, as it turns off from the Street, in Betchworth. It's the sort of bucolic image that makes me glad to be alive, and glad to be able to see it from the saddle of a bike. Glad to be inside this wonderful landscape, and glad to feel as though it's letting me in. Like I'm a part of the wondrous nature that surrounds me, in this part of the world.
It was a breezy, bright morning - but damn, it was cold, too. I ended up back in Longs, which was slightly disappointing. I thought Spring was sufficiently here, that it would be nothing but bib shorts, from now onwards.
Not quite!
It's been a lovely Sunny day here in Epsom, and I've finished it by watching Marnie swim. that's another source of pride, and a real sense of awe, for how good she really is.
First UK shows of the year - at the Shiiine Festival in Skegness, then back to Esquire's in Bedford.
As expected, being on the road with friends, band members, and crew is just the most joyous experience. It's such a genuine pleasure to hang out with people who are basically family. Even the crew—we've worked with John, our FOH, for more than 20 years now! Skegness was somewhat bracing, and slightly down-at-heel, but it was an absolutely incredible gig. I'm not even sure why! Earlier in the day, it seemed as though the general organisation and crewing of the venues just weren't up to the usual standard of the "Shiiine gigs, which normally run like clockwork. There were questions over stage access, set-up times, depressing room access, tech specs, the lot. But, as soon as we stepped on stage, it was as if a weight had suddenly lifted. We tore through the set, everything worked, all the songs went over perfectly, and the crowd went bananas. So, we left the stage just an hour later, feeling like completely different people. The wave of adrenalin took several hours to subside.
The next day, we were already exhausted, when we got up (never a good sign) and it was going to be yet another long day. The journey from Skegness to Bedford was thankfully relatively short, so we checked in a little early, into the hotel (a rare luxury, for us) and the entire setup/soundcheck experience was flawless. but it was one of those days which saps the energy (and there wasn't much to start with!).
Gig time was 9.15, so we weren't off until nearly 11pm, back to the hotel for about midnight, and then we all ended up drinking and chatting in the hotel carpark, until about 2 am, with the sting in the tail of the clocks going forward, robbing us of an hour's sleep. Maybe got about four hours, maybe a little less. Consequently, today's has been a real slog. I keep looking at my watch, thinking "Can I go to sleep, at half-nine?"First gigs of the year, this weekend!
So, we're headed off to Skegness (Oh, the glamour!) and Bedford. Touring, and the logistics of doing shows are becoming ever more complex, time-consuming, and expensive. But there is still a magic to it. I love the feeling of calm, once the gear is loaded into the van, and we actually start driving. At that point, it feels like you leave so much of your unease, or anxiety behind. Plus, the constant laughter and sense of community from being among friends (though it's more than that - we truly function as a family)
We've created bonds, over thirty-five years, that are absolutely unbreakable: revelling in that, for a few days, whilst looking at the world go by, is one of my life's greatest pleasures.
But there's still work to do, before I leave. Specifically, I've not even packed a case! I must head upstairs (I'm in the office, blogging) have a shower, get everything together.
It's always like this, when things start ramping up towards some live shows. We have the Shiiine festival, in Skegness, on Friday, then back to Bedford Esquires, the following day. With rehearsals on Thursday night, it's basically written off most of the end of this week, plus the weekend. It's going to put a dent in my training, that's for sure. Ah well.
But riding has been such a pleasure, over these past few weeks. The weather has been (mostly) great, the roads around Rusper (my new favourite playground) are fast fun and inspirational. Plus, I'm fit again! Well, perhaps not entirely, but I'm getting back to my best.
This level of activity does have an effect on energy levels, though: I'm absolutely exhausted, come bedtime. I'm sitting here, on the bed, typing a blog post, looking at the time (9.15pm) and wishing I could just be alseep, right now.
I do feel like I should leave you with this though - it's the sound of my internal jukebox. Sunny, positive, and bucolic. Yeah, that tracks.
It's not just fitness that's returned, I've felt a lot more love, in my heart. That's a good thing, isn't it? There were days when it was all so empty. I'm hoping I've turned a corner.
I've been back to those Surrey Lanes, and my mind is gradually returning to some sense of normality. I don't think what's happening over the other side of the Atlantic has been helping me, to be honest - it's just such a confusing, awful situation over there - and it's all compounded by the fact that I'm always thinking about returning to do tours. And should I? Considering all that's happening over there?
Oh, I don't know.
At times like these, I find it instructive to ask the question: "Will I feel better about my life, if I'm listening to some Miles Davis?"
the answer is always, always yes.
Getting back out into the sunshine really helped.
I went back to Tanhouse (currently my happy place) and enjoyed a Courgette and Feta Muffin, which was absolutely spectacular.
I feel....saturated, I suppose. Like I can't take any more, I'm full. It's not been particularly hectic, but I don't seem to have the will to answer any more questions, do anything for anyone, or sort anything out. I need to be outside, on the bike, heading down a country lane, as fast as I can go.
But, no matter how I feel, events will still come at me, the train will come down the tracks. whether I like it, or not. I think the question for me is: in the face of that train, what do I do? My plan is - grab it, and then hang on. For dear life.
Every year, I start a playlist, for that year. A repository for new things, new sounds, stuff that'll send me off on voyages of discovery, or just fill my mind, my heart and my head.
2025 has actually got off to a very strong start, indeed. there have certainly been years, in recent memory (maybe 2023? I'm not sure) where I literally couldn't be bothered. Where everything just left me cold. so it's heartening to find that my critical faculties are still in some sort of half-decent shape: that I'm still able to search out things to obsess over.
This is a great example:
Everything else about 2025 has been a shitshow, really, hasn't it? But the soundtrack is making me hopeful that love and peace and goodness still exists. Because beautiful music still exists.
Case in point: the Merce Lemon album.
I absolutely hammered "Backyard Lover", late last year, but since then, the album has wormed its way even deeper into my consciousness. There's an almost painful melancholia on show - a steely-eyed resolve, a vulnerability that borders on determination. I can't recommend it highly enough: it's awesome.
I'm craving something. Time to be myself, I think. The quiet, that only ever comes when the noise in my head is deafeningly loud, on stage. the smiles that only arrive when it's all so serious, and that weight is on my shoulders.
I think that's why I miss the boat, so much. On that cruise, I was in the midst of so much movement - this giant mass of metal, powering through the waves, yet there was a stillness in me. If you want me to be even more pretentious, I miss the singularity of purpose that emerges from those sorts of dualities.
So, I'll start plotting, and I'll get back to you.
I really wanted to keep on going - but, at the same time, you have to listen to your body, when it tells you "no". That's just one of the rules. I don't make them, I just follow them. And, it doesn't necessarily have to be your body screaming that it's in pain - a gentle whisper of tiredness is quite enough.
So, today has been quiet so far. Lots of admin (this always makes me feel better) and a quick bite to eat in Epsom, for lunch. Weather has turned, a bit, too. How annoying! I was hoping to keep pushing away at the bike rides, as spring finally took hold. Instead, it feels like we're taking a step backwards.
I've also done some minor mechanical things today - chief among those was the replacement of the pedal bodies for the Assioma Duo's. They were five years old, and I must have put at least 40,000km on them, so it's hardly surprising that they'd reached the end of their lifespan. A welcome side effect of new pedal bodies is just how quiet the bike is, now. The old pedals were contributing so much noise, so much rattling. The bike now feels taut, sounds silent.
It was a BFLF in Farnham, today - I'm trying to nail it down, but I'm sure it's the fourth time we've done it, in that particular location. It's so good to get back on the decks with Dylan. It's been a few weeks since we've seen each other, and it's always such a pleasure. Laughter, until we're nearly crying. I think we've now been a proper DJ team for around a decade, which seems like a ludicrously long time - but it's been wonderful. I do think it's been an inspiring process for both of us as well
Lots of traffic on the roads today, the M25 is closed, at the junction with the A3, for another bridge demolition. those are the two roads we would have otherwise used, so as you can imagine, it wasn't the easiest journey. Overall though, helped by it being a glorious sunny day. I did feel a small pang of sadness that I wasn't out on my bike. maybe tomorrow? I think I had better - it's looking like it'll be the last tolerably warm day for around a week: after Monday, the cooler temperatures will return.
My mind is still a little distracted, It has been for the last few days. I'm not sure why: I need to let it rest, a little.
Well, back to a decent level of fitness, anyway. Over the last 18 months, I've got slightly rotund, I've definitely let my fitness slide, and I've not been able to ride as much as I'd like.
I think that's at the heart of it, really. I've just had a couple of years packed with work, gigs, touring, and logistics. It's been impossible to string together a regular pattern of training. But, over the past three weeks, I've been on it, and (crucially) I've been outside. I'm so lucky to live in this most beautiful of locations - and I've thrived, in the open air. My preferred training patch is definitely now the hinterland past Betchworth, down towards Gatwich Airport, and then back via Newdigate, and (eventually) Box Hill/Lodgebottom Lane.
When the weather is good, there really isn't anywhere else I'd rather be. And the route I take now heads back via the Rusper Road, past Tanhouse farm shop, so I can throw a slice of Chocolate Fudge Cake in my belly. Win-win.
I've felt a little melancholy today, and I'm not sure why, though. Like I'm missing someone, or something. As if there's a hole in my life. A vacuum. I'll head off to bed, crawl under the sheets, and let my thoughts unwind. that's always a good remedy.
After Gatwick, it did improve slightly, and by the time I had been through Wimlands, and Friday Street, it was much better. the ride back up the Newdigate Road was glorious: fast, flowing, fun. Plus, I was lucky enough to be able to drop in to Tanhouse, for a pit stop. A wonderfully earthy espresso, plus a slice of Chocolate Fudge Cake that coated the ribs and set me up for the journey home.
It wasn't all plain sailing, mind you - on that return leg, my top gear started slipping. I'm fairly sure it's a stretched chain. I must have put at least 5000km on this one, which is plenty. I've been scrupulous about lubing it, and cleaning it after rides - but I do put in some strain, with all that climbing, and the winter weather will not have helped, at all. So, it's time for some remedial works.
Tomorrow, I'll be back on those roads, but it'll be on the Giant, not the Tarmac.
This was the sample. About 50 seconds in. No prizes, obviously.
Just jaw-droppingly amazing - and such a powerful moment. Sends chills up the spine.
And the sunshine?
Well, that was from being back out on the bike, obviously. The weather this morning was just perfect. I was out a little earlier than I would have liked; just before 10am, when I left. The roads were still a little slick, and greasy, but once I had passed Esher, everything opened out, and the Sun filled the sky.
I headed out past Esher, through Cobham, and up Hatchford Hill. Past Bridge End, through Ripley, then up Hungry Hill, and the full length of Ripley Road. This photo is at the top of the road, just before turning back onto the main road, and heading for home. It was a life-affirming experience, being out in the Sun again. I know, it wasn't exactly warm - but that'll come, too.There were certain points in this video, where I got the fear, big time. A couple of the corners - I didn't think he was going to make it. At these sorts of speeds, there's not much room for error. Having said that, it does look like it's basically the most exhilarating thing, ever.
Oh, and one more thing, at one point, he's doing 80kmh. That's actually 10km/h slower than my fastest speed, on a road bike. Looking at this video, I'm actually tempted to vow that my days of going very, very fast are over.
It all seems to have completely flown by, that's certain.
A bike ride on Saturday morning, once the fog had lifted, then childcare for the large part of the rest of the day, as Pip was out on a jolly (Brits afterparty, lucky for some)
That meant I had to do the run with Marnie, to her Swim Gala in Maidenhead today - up and down the 25, and the M4, on a sunny Sunday afternoon. Thankfully, the traffic was kind - this makes a huge difference, trust me.
Being in the car for a protracted amount of time allowed me the luxury of diving deep into some of my recent Spotify obsessions, as well. Chief amongst those is Pale Blue Eyes - beguiling, and cerebral indie-Krautrock. This is chiming heavily with me at the moment: a renewed push to get on the turbo trainer has meant I've been listening to LOADS of Motorik Playlists, and bits of what Pale Blue eyes do, have fitted in, nicely.
Enjoy.
John McKay, the guitarist for Siouxsie & the Banshees, who left at the start of the tour for "Join Hands", alongside drummer Kenny Morris (causing a massive scandal, at the time) is releasing an album of recordings made shortly after he departed the Banshees. It absolutely sounds like a lost post-punk classic, and is incredibly nostalgic, for me. Hearing something sound like a time capsule of 1978, is a Proustian rush.
since I felt confident enough to recommend a new young happening band, to all of you hipsters out there. I mean seriously, who's going to care what an old fart like me thinks?
But, I really do think this lot are fantastic, and have some real spark of genius. Whether that translates into any real sense of greater commercial success is up to you lot, I guess.
From what I can tell, they're a loosely organised art collective (hurrah!) sometimes reaching anywhere up to a dozen people, with shifting roles. they have a full-time tambourine player (YES!), whose primary role seems to be summed up as providing "vibes". Honestly, if that isn't a reason to love them, I don't know what is.
but who are they? And, what do they sound like? Well, they're Mandrake Handshake, and they sound pretty much like King Gizzard & the Lizard Wizzard listening to Krautrock, while simultaneously skinning up on the sleeve of an old Hawkwind album.
And look - they're great live, too. That'll be the "vibes", I reckon.
I've been rather unfit, of late.
Some of it is my fault - bad diet, laziness, drift.
some of it has just been a sense of mild depression and self-loathing, I suppose. mixed in with a large amount of residual grief, following Dad's death. Even writing that down feels strange, alien, and unsettling.
But it's left me unable to truly enjoy the one thing that makes life noticeably better: getting onto my bike. It's been compounded by the fact that these last eighteen months have been one of the most successful periods for the band, in over three decades. We literally haven't stopped, and that's meant that my work has ramped up, too. I've been buried in logistics, planning, and music. So, trying to exercise, and ride, has been a frustrating pattern of stop/start. It's been almost impossible to build and maintain fitness, so - as you'd expect, fitness has taken a nosedive. One of the really obvious manifestations of this was my reluctance to get onto the turbo trainer. that had previously been a place where I could just get on, smash my way up a mountain, and marvel at the insane levels of effort. I could see the result, sweat my way into fitness and feeling healthy.
But when fitness takes a dive, so does your confidence. You don't feel like heading back to those hills, because at the back of your mind is the nagging thought that you won't live up to your previous performances. You'll feel like you're failing. So you don't bother.
But, little by little, I've hopped on the trainer, these last few days, and I'm learning to love it again. I'm nowhere near heading up the Stelvio, or Ventoux, just yet - but today, I managed a PB up Puerto De Tudons. Faster than my last attempt, which was actually four years ago. I'm feeling much more energised. Here's to getting healthy again, and banishing all those other demons, too.
Almost a decade ago, I started listening - really listening- to "Bitches Brew", by Miles Davis. I mean listening in a constant sense, not just infrequently. I think there was a period where I played it at least once a day, for a month. And then, at least two or three times a week. It enabled some sort of meditative state, in my mind. Hearing it became calming, for me. I relied on it.
In the last few years, although it's still in rotation, there's a new pretender to the throne. I must have listened to "Donuts" a thousand times, and it still floors me. To take so much that's already been formed into musical language, then reshape it, into something else entirely? I can't quite comprehend its beauty, sometimes. There's a looseness to it, a fragility that can only come from an analogue heart, beating its way through the digital realm. And the sampling! Oh my word, it's perfect.
In fact, listening to this - a collection of all the samples on the record - is filling me with a melancholy wonder.
Donuts, I love you.
It's early.
I'm sitting on the sofa bed, in the front room, wondering when I'll hop on the trainer and get a ride in (the weather looks rotten, for the rest of the day). I have a cat sitting next to me, the house is quiet, and the sun is beginning to peek over the houses outside. It's a lovely, peaceful start to the day - and one which comes as a relief, following on from yesterday. that was Milo's birthday celebrations, so we had a houseful of (just) teenage boys, eating Pizza and being lunatics, for a couple of hours.
Marnie is off to SSP today, so I may be dragged into town, with a boy and his birthday money, desperate for Lego. Hey, there are worse things.
Another task for today is to fettle a Spotify playlist for as much Motorik as possible. I've found that it's particularly well suited to indoor cycling - that relentless tension, the beautiful monotony. Spotify has its own suggestions, of course - but, as you'd expect, they're patchy, and algo-driven. Sod that.
I am my own algorithm, and I get to say what I want.
And I suddenly realised, it's basically my favourite era, for U2. It's that period between October and War - when they were still finding their feet, but musically, they were a simplistic, post-punk thrash, of a band.
I mean - this is, fairly transparently, an attempt to sound like Wah! Heat. But it's marvellous. Soon, everything would be Red Rocks, and flags, and bombast. US remixes, filling dancefloors. A move towards the big, brash and obvious.
But in this transitional period (Fire, Gloria, A Celebration) they were untouchable, to me. And, without getting into complex musical analysis, it's just wonderful to hear a song that's so basic! "A Celebration" feels like it's got about three notes. And it's all the better for it.
That posts on this blog, for the year, are now more than at any other time than 2019. That's hugely comforting, and it gives me a small glow of pride, too. Within a month or two, it could be the most amount of posts since about 2012?
Hey, blogging is the future, after all.
Web 2.0 posse, let me hear ya.
Seriously, how am I still thinking about being on board?
Seriously, it's one of the most amazing things I've ever seen. Recreating the entirety of The Human League's "Don't You Want Me". I'm not kidding here - every single second of this is pure genius.
I also managed to absolutely hammer it down Staple Lane, in a PB time. Considering I'm on a rim brake bike (so, theoretically, less secure and "safe" feeling than a disc brake bike) again, a bit of a miracle.
This TCR is making my heart, and my mind sing, at the moment. I'm in love with this damn bike.
Enjoyable, but rather tiring.
Saturday, was out - -out! - in London, for Andrew's birthday, at a pub in Clerkenwell Green. Going to London feels almost novel, now - after so many years when frankly, I'd have been horrified to have been doing anything else. With the advent of kids, one's social life changes, for sure - and being back in the centre of town filled me with a tangible sense of longing and nostalgia. I loved feeling the pulse of the city streets, the possibility, the romance, the frenzy and the silence.
Got on to the 10.48 from Victoria, so I was not massively late. A relatively easy journey, if I'm honest. But the night was sufficiently late. to make the following day the more tiring of the two weekend days.
My family was over for Christmas, basically. Somehow, we'd engineered a situation where Xmas just didn't fit into anyone's schedule, and the jaunt to Mull completely blew a hole in all of the previous plans. So, festivities were postponed until a suitable time. Factor in my little jaunt to the Caribbean, and it meant we got together for a festive bash - in February. Ah well, it was still lovely. And I'd not seen mum for a few weeks, so that reunion was especially lovely. Some hearty soup, cheeses with chilli jam, chocolate cake, presents, laughter, reminiscing.
Thus, the start to the half-term week has been rather gradual. I've not done a lot today, but feel much better for being rested. I've done a supermarket run, cleaned both dishwashers. Helped Marnie exchange a birthday present, in Epsom, as well as paying Xmas money into her bank account (which she fully expects to spend this week, at Westfield). Milo has a Birthday Party to attend, and I've got a house to tidy. It almost feels like I should be telling you about a day of drift, were it not for all this...stuff, that seems to have filled it up.
To a little flower, somewhere.
I'm sitting here listening to "Angels In The Architecture". Ah, 1987. A year when I was blissfully happy, and most of the rest of my life was yet to unfold. But that year still resonates, in terms of the music I loved, and still do. It was a period of my life where everything seemed ti imprint itself on me. Everything left its mark, left traces of its DNA. The choices I made, the directions I took - all of these things still echo across the years. I'm not sure why it was the year that I truly became myself, but it was. I think it could have something to do with so much of my "traditional" narrative arc finally subsiding. I'd done school, childhood, college, and University. I'd tried being in love, having girlfriends. Lots of things I believe I should have done. but 1987 felt like the year when I was finally free to do things just for me.
I was on a path to self-determination, I guess. And let's face it, I've never really stopped, with that, have I?
And I’m now heading home, which means I’m actually blogging on a train, which feels very modern indeed. I’m on the 11.25 out of London Bridge, currently speeding past Forest Hill. My Dad would have loved it. He’d have been pointing out things from the window, and telling me how many other suburban branch lines connect to the line I’m on.
Time for me to head into Epsom, as well. need to get supplies for the weekend.
Well, fairly obviously, I'm missing it because I had the absolute time of my life when I was on it - but it seems to go a little deeper. Do you know how I sometimes post about having days that just drift? Well, being on the Ship is the best place to feel like that. It allowed me to let that feeling run, to immerse myself in inactivity, yet still feel engaged, and thoughtful. I loved that.
This also ties into my opinion of cycling—that I need to feel the world moving around me, that I need momentum. Being on the sea allowed me to zoom out, to look down at myself, to assess my place in the world.
That's what I miss.
and yeah - I had a drift day today, so that would certainly explain why this has been uppermost in my mind.
Tomorrow is another day. Financial meeting in the morning, then shopping in Waterloo and plotting food for the weekend, when my Mum's coming over to visit. I may have to bust out a Minestrone.
I've managed to get back on the bike, for the last four days in a row. Tomorrow, it'll be five. I'm rather hoping that the weather will be dry enough for me to get outside - even if it's only on the winter bike. The trainer is fine, but nothing can compare to being on the road. For me, cycling is about momentum, about movement, about feeling as though I'm somewhere - anywhere - in a wider world. That world is still rather dank and dreary, as I watch it through the widow of this front room. Hopefully, tomorrow will be slightly brighter.
I'd forgotten that it even existed! It's obviously a whole load of my old Dailybooth photos, cut together, a second at a time.
Dailybooth was great - obviously, it presaged other photo-staging sites: without it, no Instagram, that's for sure. So, in the end, it was hugely influential. And, its influence lives on in sites like BeReal (which, similarly, I love)
And somewhat miserable, too.
Feeling harangued, and hectored. Doesn't really help me find the joy.
But hey ho. Ever onwards, and all that.
I don't think it's any real secret to say that I've struggled, a lot, recently. With Dad passing away, and the first US tour falling apart - all of it started to get to me.
But then 2024 was a really wonderful year. We did so much and achieved so many goals. Literally every single gig was a triumph., Every single show packed with happy people. But that didn't come without a lot of pressure. I've said before (on this very blog) that I've felt burdened, by the weight of expectation. It's not just my outlook - it's the hopes, dreams and expectations of everyone else. that extend outwards, from the other members of the band to the crowds, everyone in the venues, and everyone in supporting roles, in our orbit. I hate letting people down, so sometimes, that fear translates into a sense of dread about the future. A paralyzing anxiety that nothing will go as people hope it will.
Trying to break that cycle isn't easy. And if you get stuck deep inside, as I did at the end of the world tour, it's challenging to come up for air. There's such a wild swing of emotions, between those happy days on the road, and the stasis which follows.
So, heading off on the cruise was just what I needed. There was a serenity and a grace to looking out at the ocean; a real feeling of understanding my place. I wasn't expecting that, so it was doubly gratifying, to feel that peace coursing through me. It made me realise how far this journey has taken me, and it made me understand the highs, and the lows, a little bit better.
I'm really getting used to this life, on board. It's like a floating city, which seems fairly obvious - but there is one subtle difference that seems to be where the magic lies. In any normal city, you are surrounded by small levels of chaos: people bumping into you in the street or seeing someone who's angry or confused. Perhaps there's traffic, zooming around, and stepping off a pavement feels threatening. You normally factor all of these little deviations into your daily transit through life - but on a boat, they're not there. There's a unanimity of purpose, with everyone on a ship like this. Everyone is here to do much the same thing as you: have a great time. It's not a simple homogenous levelling of the playing field, there's still a huge range of people and outlooks - but it removes a lot of the stressors, without you even noticing. Life gets easier, more laid-back.
And today has been a very, very laid-back day. We got here (Cozumel) overnight, and slowly approached the dock, finally mooring at around 6.30 am. The boat spins on its axis to accomplish this - which was amazing to experience. After breakfast, we nipped into the port for a look around, but then left the boat again, just before noon, to hire a Taxi, crossing the Island in its entirety. Lunch was on the East shore, at Señor Iguanas where we ate wonderful Mexican food, drank cocktails, and laughed until our sides hurt. One of those days.
Back to the port for another drink, and back aboard, to tidy my room, and prepare for dinner. Might go and hang at the Lisa Loeb show tonight, and maybe - just maybe - try and catch up on the sleep I've missed.
Oh, my word.
I've just been looking out at the world. a pitch black night, a gently roiling sea. Tiny crests of waves, buffeted by warm breezes across the Gulf Of Mexico. Above me, there's these small wispy clouds, and above them - nothing but the inky sky, forever and ever. Tiny little groups of stars, hanging in the sky.
When we first started, as a band, I can remember heading to Spain, on our first-ever foreign trip. I was always so amazed that just a piece of music could lead so many people to be checked onto a plane. To be flown to another country. just for music. Just for a song.
And now, it's thirty-five years after I thought like that. And we're still doing this. And it feels just as powerful - but there's now more resonance. Back then, it was someone else's song. Now, I'm as much responsible as anything, or anyone else. I helped put all of us on this boat. I put myself on this boat. I did all of this. And it blows my mind.
First show of the Cruise
First Sunrise, from the Helipad
Well, jet lag hit me, like a freight train.
Had a lovely dinner, and finished around 7.15. Decided to try and nap for an hour - passed out almost instantly, and got exactly one hour of deep, jet-lagged sleep. At that point, I just knew I was exhausted, and that to try for any more might be a bad idea. But - I also thought - well, maybe just another five or ten minutes.
Massive mistake. Passed out for yet another hour. This time, the jet lag sleep was even deeper, even more like a fever dream. Woke up almost exactly sixty minutes later, now feeling like I was tripping.
On top of that, despite this laptop, and my watch telling me the correct time (we're on at 11pm), my phone had somehow transferred to another timezone and was now telling me the gig was in three minutes. As I was still in a strange, tripped-out state, It was tough trying to reconcile the fact that my watch was telling me one thing, and my phone another.
But - it is just an hour to go. Damn, that wasn't much fun. I'll now attempt to drag myself into the land of the living and do a gig.
So you can expect postings on the blog to be somewhat interrupted, I think. I have no idea what the internet policy or cost is, on the boat - but I'm guessing it'll be quite steep.
*Sigh*
but I'll try not to let it stop me. I've become rather accustomed to this little blog, again. Wouldn't like to be seen to be neglecting it, oh no.
Today then, is the last day before I head off across the globe, and I'm currently avoiding anything that looks like comprehensive packing an organisation. Instead, I'm blogging, and learning about Be-Bop Deluxe.
Never you change, Iain.
Time for some sleep - then, early breakfast, pack that case. Check, check again, and recheck all of the band stuff. Jump in a cab at 11. Off to Terminal 3, we leave around 3pm. More tomorrow, If (and only if) I can drag my sorry behind into a lounge)
On the software, for the next two shows.
I run NI Kontakt, and there have been a few minor issues since upgrading recently. Today, it was all about trying to merge instruments (or, .nki files) into a collection of different instruments, grouped together (basically, a set, for the band - this is known as a multi, or a .nkm)
The program wouldn't merge anything together and even kept shutting down. Turns out that the "merge when loading" option had been automatically deselected by the upgrade - I literally would never thought of checking. Anyway, one small tick in the box, and I'm all sorted. Phew!
I've been through the set and got the shopping done. I need to get a few things done before I'm away - getting clothes sorted is top of the list - and I need to book a cab.
But today, my work here is done. Time to think about the kid's tea.