So, how was it for me?
Great, really. Another year for Wireless (its second) and the organisation, as ever, was impeccable. Peoples main gripe with the festival seems to be that it's somewhat corporate... But the money generated from sponsorship seems to mean that it runs like clockwork, where's the problem in that? Seeing as the first people I bumped into were Michael and Emily Eavis, both with big grins on their faces and clearly enjoying the day, I'd say it's not really an issue (and hey, Glasto has its fair share of big-business involvement now)
So, Wednesday. A beautiful day, bright sunshine, a cold beer and some DJ-ing in the O2 bubble to start the day off. As you'd imagine, I gave the crowd a judicious slice of the Sukpatch CD, as well as a couple of gems from the new Trunk Records compilation "Fuzzy Felt Folk" From there on, the day began a course that was to become familiar over the next few days: namely running between the three main stages, announcing bands. Went to the myspace stage and bumped into White Rose Movement, as I was with Zeb, an old compadre from the days of The Pretenders, his bro Finn is singer in the WRM. Also chatted to Sean McCluskey and his charges Cazals: who put on one of the shows of the day. Ran down to the Xfm stage (pushing to check out the Raconteurs on the main stage) to stand by the monitor desk while Bob Mould was playing. Being that close to one of your heroes when they're playing "Celebrated Summer" was quite awe-inspiring.
Once all of my commitments had been honoured, I obviously started on a course of serious drinking: I left the festival early, about 10-ish, but made the mistake of having a nightcap (or three) when I got back home. Cue: a broken night's sleep and a bleary start to the next day.